bA lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovic's performance art to today's biennale circuit and million-dollar auctions.bpEncountering a work of contemporary art, a viewer might ask, What does it mean Is it really art and Why does it cost so much These are not the questions that E. H. Gombrich set out to answer in his magisterial iThe
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bA lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovic's performance art to today's biennale circuit and million-dollar auctions.bpEncountering a work of contemporary art, a viewer might ask, What does it mean Is it really art and Why does it cost so much These are not the questions that E. H. Gombrich set out to answer in his magisterial iThe Story of Arti. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, D rer, Rembrandt, and other European masters. In iThe Story of Contemporary Arti, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramovic's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond. ppGodfrey's narrative, lavishly illustrated, traces a series of debates over what art is or should be object versus sculpture, painting versus conceptual, local versus global, gallery versus wider world. He presents multiple voices--not only critics, theorists, curators, and collectors but also artists and audiences. Key to Godfrey's account is the upending of the once widespread perception that art is made almost exclusively by white men from North America and Europe. iThe Story of Contemporary Arti is an essential guide to this radical transformation.p
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